Pickard Creamer & Sugar w/Lid Japan Fuscia Flower Purple Pink w/Gold 1905-1910

Description

Pickard Creamer & Sugar w/Lid Japan Fuscia Flower Purple Pink w/Gold 1905-1910
Pickard Creamer & Sugar w/Lid Japan Fuscia Flower Purple Pink w/Gold 1905-1910
Exquisite Decorative
PICKARD CREAMER & SUGAR w/LID,
HAND PAINTED Stylistic HANGING FUSCIA Flowers in PURPLE & PINK w/GREEN & GOLD Leaves,
from Ravenwood Studio Chicago, Illinois, USA, circa 1905-1910
DESCRIPTION:
This simple but elegant hand painted pattern uses the stylistic view of the hanging fuscia flower in purple & pink.  The pattern appears on both sides of both the creamer & sugar.  The handles are a solid gold.  There are both wide and narrow gold bands, gold stamens on the blooms, gold leaves  and gold scrollwork.  See the photos.
CONDITION:
The condition of this decorative set is superb.  We can find no defects or damage.  There is slight wear to the gold on the creamer spout and handle.  There are no chips, nicks, cracks, other rubbings, scratches or hairlines.  Please refer to the photos to see how classically beautiful this is.
DIMENSIONS:
The elegant creamer is 4 1/8" handle to the spout with a diameter of 2 7/8" and a height of 2 1/2".  The sugar is 5" handle to handle with a maximum diameter of 3 1/2" and a height of 3" to the top of the lid.
HISTORY/MARKS:
Pickard China has a long history dating back to 1893 when Wilder Pickard established his company in Edgerton, Wisconsin.  Towards the end of the century, he moved his business to Chicago and specialized in hand painted porcelain and art pieces.  He purchased a 2 family row house at 316 LaSalle Street in Chicago.  He listed this as his business location through 1902.  Picard gradually acquired the use of a number of nearby horse barns evolving into a fragmented studio.  He still depended on much “cottage” work.  His first real studio operated in the 1903-1905 time period in a converted carriage barn which was built shortly after the 1871 Chicago Fire, hence the name “The Carriage Barn” which employed 32 artists during this time period.  He moved to Ravenwood Studio in 1905 on the North Side of Chicago.  Anna Atkins (Pickard's sister) suggested that Tiffany's look of hammered gold might be emulated in china by the use of acid etching.  Pickard installed an acid etching room in the rear of the studio on the second floor in 1911.  Joseph Yeschek's son, Frank, was placed in charge.  Use of the solid gold maple leaf mark placed over the manufacturer's mark started in 1912 and was overstamped with a red double circle.  This changed to a black double circle in 1913.  The US Customs Service prohibited the covering of the country of manufacturing and admonished Pickard several times prompting him by 1916 to place the gold maple leaf beside the manufacturer's mark.
Pickard's son, Austin, joined the company in the late 1920’s and experimented in developing a fine china dinnerware body.  He moved the company in 1930 to Antioch, IL where it remains today where the 4th generation of family members leads Pickards.  After the Great Depression by 1933, only 7 decorating studios remained in the china decorating business in the Greater Chicago area with Pickard being the largest one.  The Pickard China mark on this piece is identified by Alan B. Reed’s Collector’s Encyclopedia of Pickard China as mark #5 which was used 1905-1910 at Ravenwood Studio.  Note: Both pieces carry a Japan mark indicating they were imported from Japan as whiteware to be decorated at Pickard Studio.
Please view all pictures carefully as they are part of the description. The stand was used as a photo prop and is not part of this listing.
We are fast and safe shippers offering FREE USPS PRIORITY MAIL SHIPPING WITHIN THE USA on this piece with insurance and tracking included.
For our INTERNATIONAL buyers, we offer buyer paid calculated rate USPS International shipping with insurance provided by the seller. See additional international policies below.
This is ready to use or display with pride in your home.
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